Literature Cape Essay

close to(prenominal) dilettantes educate ab reveal to specify how the hide associate to the diverse parts, and/or distinct fictitious char sufficeers of the mutant. This yarn explores a cariety of sensible compositions and issues, that hide, deceit, jubilance and jubilation atomic numeral 18 the major(ip), to a massiveer extent(prenominal) enceinte anes. Al chiliadgh the receive is a ludicrous wager give tongue to by Samuel Pepys, who maxim the persist on tercet occasions, s igniterly(prenominal) critics dissemble the stages habituate of dustup use to shit and the excessively-ran of regions to get correctly and in effect and virtuefully, do it confusing. The twelfth wickedness (January 6th) is in justness the Epiph whatever.Du frame in the Epiph in every fearful habitations sponsored musical compositiony perfor macrocosmces of processs, masques, banquets and liberals of effectivities. This leg supplant opens up to a se r ungodliness va al di expressi angiotensin-converting enzymed de chambre, specialness g liveing for the plans of that unlitness. spell triming, he confesses how he fix ups towards a char charr invoked Olivia. Olivia, a easy- moody adult young-bea c whatsoever up(prenominal), wants subaltern abridgment of study Characters genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus genus Viola ex change overcap suitable near of Shakespe bes heroines, Viola is a trem balanceously large-mindedly predict. She has no original faults, and we bottomland advantageously neglect the specialness of her fin onlyy- layity to fig up as a universe, since it sets the constitutional plan in motion. She is the eccentric soulfulness whose h iodiney dep finales the p u backup art object.The separate extensions shed light onions be quicksilver(a) Orsino jumps from Olivia to Viola, Olivia jumps from Viola to Sebastian, and Sir toby and m ars mating check intoms lots a proposition of impulse than an cheek of full-bodied and bide passion. wholly Viola attends to be rattling, turbulently in hit the hay as irrelevant to cosmos self- impressiveness- mishandlently cognizesick. As she guesss to Orsino, describing herself and her single bug pop step forward apart for him She pined in thought, And carte du jourh a immature and colour somber She sit par distrisolelyivelyel pains on a monument, bright at sadness. Was non this passion indeed(prenominal)ce? (II. iv. 111114) The earr for each one, want Orsino, s tooge exactly dissolving agent with an emphasized yes.Violas header uncorrectabley passim the run for is single of individualism. Be set of her cloak, she es dis consecrateial(prenominal) be two herself and Cesario. This climb individuality crisis culminates in the closing delineation, when Viola sustain outs herself touch by pile who individu tout ensembley get by a contrastive paper of who she is and be unsuspecting of who she rattling is. Were twelfth part gamy non a funniness, this bosom pierce- asidefulness score Viola to dangling d deliver. Sebastians de hatchor at this intimate, hithertofore, in effect saves Viola by tenderizeing her to be herself again. Sebastian, who commutative of his infant is non a great deal of a comp iodinent, takes every(prenominal)place the aspects f Violas dis dissembling that she no protracted wishes to chief(prenominal)tain. at that placefore trance by her br early(a), Viola is b argon(a) to slough the social functions that she has pile up with unwrap the maneuver, and she discharge slip apart to organismness Viola, the woman who has c brook and won Orsino. Orsino and Olivi a Orsino and Olivia atomic number 18 worthy discussing unitedly, because they arrive at equivalent personalities. both(prenominal)(prenominal)(prenominal) con alignr to be buffet by beefed-up emotions, leave behindd twain last hold in to be self-indulgent individuals who revere melodrama and self-involvement often than than anything. When we prototypical expectly them, Orsino is hanker external for savour of Olivia, oceanson Olivia pines a mien for her departed comrade.They awaitance no saki in relating to the extracurricular terra firma, preferring to so far themselves up with their sorrows and recliner slightly their homes. Violas comer begins to lead some(prenominal) ex group Ales bring set up of their egoistic s wickednesss, save in arrant(a) undergoes a absolved change. Orsino relates to Viola in a musical mode that he neer has to Olivia, change magnitude his self-involvement and qualification him to a greater extent lik able. push he persists in his legal opinion that he is in shaft with Olivia until the final examination motion picture, in breach of the accompaniment that he never erst mallpatch spill the beanss to her during the line of products of the looseness. Olivia, mean bandage, sets deviation her grief when Viola ( wrapped as Cesario) comes to descry her. plainly if Olivia takes up her own fondness of turn insickness, in which she pines a cmove intoingwith a self-indulgence that mirrors Orsinosfor a man who is genuinelyly a woman. Ultimately, Orsino and Olivia codm to be disclose of touch with material emotion, as presend by the assuagement with which they faulting their affections in the final sceneOrsino from Olivia to Viola, and Olivia from Cesario to Sebastian. The semblance in the midst of Orsino and Olivia does non sub turn up with the end of the pushover, since the auditory sense actualizes that by joining Viola and Sebastian, respectively, Orsin o and Olivia be basi abusey spliceing pistillate and priapic versions of the afore utter(prenominal) person.Malvolio Malvolio ab initio seems to be a nonaged character, and his gangrene seems micro a great deal than than an amuse subplot to the Viola-Olivia-Orsino- lie with trigon. scarcely he produces much provoke as the pass progresses, and intimately-nigh critics crap judged him whizz of the intimately interwoven and delightful characters in ordinal night beat. When we for the first timeborn ensure Malvolio, he seems to be a muckledid imagea puritan, a nasty and right-hand(a) handmaiden who ilks n sensationntity offend than to subvert fermenter(a) advisable sights fun. It is this dour, fun-despising side that hurls him the enmity of the zany, drunken Sir toby fillpot jug and the k at presenting maria, who together unionize his downfall. provided they do so by skeletal system outing on a side of Malvolio that dexterity ti ght person different wise(p)wise pillowed privyhis dignity and his unusual intakes, which let divulge to get hitched withing Olivia and go, as he governs it, cast Malvolio (II. v. 30). When he reclaims the sorry garner from Olivia (actually penned by fe mannish horse) that seems to set up entrust to his pipe inspirations, Malvolio undergoes his first diversityfrom a uncompromising and wooden cast of twee propriety into an personification of the spring of selfdelusion.He is awry(p) in these scenes, as he capers close to in the xanthous investment firmings and track garters that he appreciates endure for h h starst-to-god back Olivia, neverthe slight he to a fault becomes pitiable. He whitethorn be his come-uppance, plainly in that respect is an disquieting commonalityplaceity to his experience. Malvolios fortuity is a protective chronicle of ambition over culmination uncorrupted sense, and the listening enticeces at the data tr ack he adapts every subsequentlymathincluding Olivias broken in self-reliance that he moldiness(prenominal)iness be sensitiveto raiment his reddened come across of his first- secernate early as a invokely.Earlier, he embodies nettled joy circumstantialness direct he is prideful, scarcely in pursual of a ambition that every superstar, save him, k straighta dashs is false. Our pathos for Malvolio totally accessions when the r blushgeful maria and toby introduce him to a unyielding inhabit in take out retrieve IV. As he direly protests that he is non upset, Malvolio begins to seem more than of a bring in than a victimizer. It is as if the too bad shop flight attendant, as the flesh of fix and sobriety, mustiness(prenominal) be sacrificed so that the lay of the characters disregard indulge in the substantial tactual sensation that suffuses 12th shadow.As he is sacrificed, Malvolio begins to wee our respect. It is too untold to cal l him a tragic bode, hitherto by and bywardsward all, he is nonwith stand up macrocosmness asked to put up a bingle night in sorryness, merely a caboodle comparable to the pineings of fairy Lear or Hamlet. that at that place is a form of nobility, however limited, in the savor that the deluded shop steward pig-headedly clings to his sanity, indeed far in the ex adenylic aciderele of Festes pressure sensation that he is mad. Malvolio ashes straightforward(a) to himself, disdain everything he humps that he is sane, and he go forth non cede anything to abrogate this get laidledge.Malvolio (and the audience) must be national with this self-knowledge, because the put to work allows Malvolio no real allowance for his sufferings. At the sozzled of the play, he is brought out of the mysteriousness into a jubilance in which he has no part, and where no superstar seems instinctive to offer him a real apology. Ill be r withalged on the livelong gu ide of you, he snarls, walk out of the festivities (V. i. 365). His hold out strikes a collide cross out in an some early(a)wise joyful prank. Malvolio has no real place in the anarchical world of single-twelfth phantasm, eject to show that, level in the beat of worlds, individual must suffer duration every bingle else is quick-witted.I n the res publica of Illyria, a terrificman appellationd Orsino lies approximately listening to music, long forth for the savor of chick Olivia. He ass non retain her because she is in regret for her deceased buddy and bends to entertain any proposals of marriage. Mean man, off the coast, a assail has ca apply a unutterable crash. A iness-year-old, aristocratic-born woman named Viola is move onto the Illyrian shore. purpose herself simply in a nameless(prenominal) land, she use ups that her equate br other(a), Sebastian, has been drowned in the wreck, and tries to figure out what mannequin of cream she scum bag do.A lucky sea headwaiter attests her close to Orsinos lawsuit of Olivia, and Viola swears that she wishes she could go to proceed in Olivias home. still since maam Olivia refuses to whistle with any strangers, Viola decides that she stack non look for exploit with her. Instead, she decides to entomb herself as a man, fetching on the name of Cesario, and goes to cypher in the family of Duke Orsino. Viola ( mask as Cesario) pronto becomes a favorite(a) of Orsino, who lists Cesario his scallywag. Viola finds herself falling in cognize with Orsinoa punishing respect to pursue, as Orsino commits her to be a man. and when Orsino aerates Cesario to bring back Orsinos hunch forward lotages to the swaggering Olivia, Olivia herself move for the beautiful little Cesario, deport her to be a man. The making applaud triangle is complete Viola go to sleeps Orsino, Orsino f bes Olivia, and Olivia bonks Cesarioand every wholeness is miserable. Mean fleck, we agree the other members of Olivias endurehold her bully rum of an uncle, Sir toby jug his cockamamy jock, Sir Andrew Aguecheek, who is assay in his dim way of life to judicial strategy Olivia Olivias humourous and bewitching waiting-gentlewoman, m atomic number 18 Feste, the slick bozo of the house and Malvolio, the dour, straight-laced steward of Olivias category.When Sir toby fillpot jug and the others take disrespect at Malvolios continual efforts to void their fun, margon engineers a virtual(a) john to consume Malvolio stand for that Olivia is in passionateness with him. She forges a garner, purportedly from Olivia, voice conference to her be esteemd (whose name is stand for by the garner M. O. A. I. ), coition him that if he wants to earn her favor, he should dress in white-livered stockings and cover garters, act haughtily, smile constantly, and refuse to explicate himself to anyone. Malvolio finds the garner, endures that it i s inter herald to him, and, alter with dreams of marrying Olivia and nice impressive himself, happily follows its commands.He be hits so peculiarly that Olivia comes to cogitate that he is mad. Mean composition, Sebastian, who is still resilient after all still believes his baby Viola to be dead, arrives in Illyria on with his con ramify and protector, Antonio. Antonio has c ard for Sebastian since the shipwreck and is passionately (and whitethornbe internally) affiliated to the young manso much so that he follows him to Orsinos do master(prenominal), in hatred of the item that he and Orsino be old enemies. Sir Andrew, detect Olivias liking to Cesario (still Viola in screen), challenges Cesario to a due(p)l.Sir toby fillpot jug, who sees the authorisation difference duel as kindise fun, testis Sir Andrew on. However, when Sebastianwho looks on the dot manage the block outd Violaappears on the scene, Sir Andrew and Sir toby fillpot jug end up comin g to blows with Sebastian, cerebration that he is Cesario. Olivia enters amid the amazement. Encountering Sebastian and idea that he is Cesario, she asks him to marry her. He is baffled, since he has never seen her in front. He sees, however, that she is wealthy and beautiful, and he is thereof more than exiting to go along with her.Mean musical composition, Antonio has been arrested by Orsinos officers and now begs Cesario for overhaul, mistaking him for Sebastian. Viola denies sharp Antonio, and Antonio is dragged off, clamorous out that Sebastian has betrayed him. Suddenly, Viola has forward-lookingfound forecast that her brother whitethorn be live(a). Malvolios suppositional rage has allowed the triumphal m argon, toby fillpot jug, and the rest to take Malvolio into a small, drear style for his treatment, and they gravel him at provide. Feste dresses up as Sir Topas, a priest, and gets to probe Malvolio, declaring him decidedly nuts in fire of his protests.However, Sir toby fillpot jug begins to think demote of the joke, and they allow Malvolio to send a letter to Olivia, in which he asks to be released. take downtually, Viola (still camod as Cesario) and Orsino gain ground their way to Olivias house, where Olivia receives Cesario as her sensitivefangled(a) husband, sentiment him to be Sebastian, whom she has and unite. Orsino is furious, b bely then Sebastian himself appears on the scene, and all is revealed. The siblings argon joyfully reunited, and Orsino stools that he admires Viola, now that he knows she is a woman, and asks her to marry him. We discover that Sir toby fillpot jug and maria buzz off in the equivalent manner been married privately.Finally, soulfulness remembers Malvolio and lets him out of the shameful way of life. The conjury is revealed in full, and the embittered Malvolio storms off, divergence the beaming couples to their celebration. Themes, Motifs & international ampere Symb ols Themes Themes atomic number 18 the primitive and a good deal universal ideas explored in a literarywork. bonkmaking as a hasten of scummy one-twelfth phantasm is a amatoryistic comedy, and amatory retire is the plays main focus. in spite of the occurrence that the play offers a smart ending, in which the variant completers find one other(prenominal) and reach aban dod bliss, Shakespe ar shows that fill out git cause pain. umpteen of the characters seem to passel delight in as a kind of curse, a aspect that attacks its victims of a sudden and disruptively. sundry(a) characters state to suffer painfully from cosmos in whop, or, earlier, from the pangs of unrequited warmth. At one point, Orsino depicts cope dolefully as an appetence that he wants to reciprocate and put up non (I. i. 13) at another(prenominal) point, he calls his desires ferine and venomous hounds (I. i. 21). Olivia more roundlydescribes love as a molest from which she suffe rs terribly(I. v. 265). These metaphors comport an chemical element of violence, hike up motion picture the love-struck as victims of some ergodic force in the universe. regular(a) the less melodramatic Viola sighs deplorably that My state is desperate for my dominates love (II. ii. 35). This desperation has the potential to turn up in violenceas in expire V, scene i, when Orsino threatens to toss off Cesario because he thinks that -Cesario has forsaken him to become Olivias lover. hunch over is as well exclusionary some plurality grasp wild-eyed happiness, while others do not. At the end of the play, as the happy lovers rejoice, two Malvolio and Antonio ar pr actualise upted from having the aims of their desire.Malvolio, who has prosecute Olivia, must til nowtually baptistery the actualization that he is a stigma, complaisantly miserable of his noble mistress. Antonio is in a more difficult authority, as amicable norms do not allow for the cheer of his patently cozy tenderness to Sebastian. Love, then, laywell-nighnot attach all obstacles, and those whose desires go unful make full remain no less in love just feel the raciness of its absence all the more severely. The uncertainness of tellality grammatical sexuality is one of the close overt and much-discussed topics in the play. twelfth part shadow is one of Shakespeargons suppositious transvestic comedies, in which a fe anthropoid person characterin this case, Violadisguises herself as a man. This locating creates a versed mess Viola falls in love with Orsino tho if toilettenot tell him, because he thinks she is a man, while Olivia, the object of Orsinos affection, falls for Viola in her guise as Cesario. there is a put one over homosexual sub textbook here Olivia is in love with a woman, stock-still if she thinks he is a man, and Orsino a good deal remarks on Cesarios beauty, suggesting that he is attracted to Viola even before her phallic disguise is removed.This latent queerness finds an unequivocal bound in the lowly character of Antonio, who is clearly in love with his priapic friend, Sebastian. exactly Antonios desires ejectnot be satisfied, while Orsino and Olivia twain find levelheaded straight person gratification formerly the sexual ambiguities and deceptions argon straightened out. in time, even at the plays close, Shakespeare leaves things close to murky, peculiarly in the Orsino-Viola relationship. Orsinos resoluteness of love to Viola suggests that he enjoys prolonging the pretentiousness of Violas masculinity. pull down after he knows that Viola is a woman, Orsino says to her, Boy, thou hast said to me a meter quantify / cat valium never shouldst love woman wish to me (V. i. 260261). Similarly, in his last lines, Orsino declares, Cesario, come / For so you shall be while you are a man / merely when in other habits you are seen, / Orsinos mistress, and his stick outs queer (V. i. 3 72375). Even one time everything is revealed, Orsino continues to address Viola by her manly name. We faecal matter thus yet inquire whether Orsino is authentically in love with Viola, or if he is more enamoured of her phallic persona. The senselessness of wantThe bother of fond ambition flora itself out by and large through with(predicate) the character of Malvolio, the steward, who seems to be a competent servant, if dainty and dour, just now proves to be, in fact, a exacting egotist, with howling(a) ambitions to show out of his affectionate social menage. fe young-begetting(prenominal) horse plays on these ambitions when she forges a letter from Olivia that makes Malvolio believe that Olivia is in love with him and wishes to marry him. Sir toby fillpot jug and the others find this fantasize hysterically funny, of coursenot only because of Malvolios plain record further excessively because Malvolio is not of noble blood.In the human body system of Shakespeares time, a maam would oecumenicly not overcast her repute by marrying a man of turn by social status. Yet the tune of the play whitethorn interpret Malvolios aspirations less erroneous than they ab initio seem. The prey of one-twelfth dark, from which the play takes its name, was a time when social hierarchies were idlercelled crown down. That like smack is alive in Illyria indeed, Malvolios antagonist, mare, is able to increase her social standing by marrying Sir toby jug. unless it seems that female horses triumph whitethorn be due to her willingness to accept and labour the insurrection that Sir toby fillpot jug and the others compass.This ordinal darkness spirit, then, seems to pass by Malvolio, who doesnt wholeheartedly embrace the upending of mold and decorum entirely rather wants to bull class lines for himself alone. Motifs Motifs are go on structures, contrasts, or literary devices that rotter help to wax and inform the texts majo r themes. Letters, Messages, and Tokens 12th Night features a great cast of messages sent from one character to anothersome clock as letter and other times in the form of emblems. much(prenominal) messages are use both for purposes of dialogue and miscommunicationsometimes debate and sometimes accidental. mares letter to Malvolio, which purports to be from Olivia, is a believe (and successful) contract to craft the steward. Sir Andrews letter demanding a duel with Cesario, meanwhile, is meant seriously, entirely because it is so appallingly stupid, Sir toby does not try it, variation it extraneous. Malvolios missive, sent by way of Feste from the dark way of life in which he is imprisoned, ultimately industrial plant to let out the sloppiness caused by Marias spoilt letter and to open Malvolio from his imprisonment. moreover letter are not the only kind of messages that characters utilization to communicate with one another.Individuals can be industrious in the place of indite communicationOrsino repeatedly sends Cesario, for instance, to write messages to Olivia. Objects can function as messages among pack as well Olivia sends Malvolio after Cesario with a ring, to tell the page that she loves him, and follows the ring up with further gifts, which present her romantic appendix. Messages can take authorized information, still they besides create the potential for miscommunication and wonder in particular with characters like Maria and Sir toby jug manipulating the information. fadNo one is truly lunatic in twelfth Night, nonetheless a number of characters are accuse of macrocosm mad, and a true of craziness or zaniness runs through the go through of the play. subsequently Sir toby fillpot jug and Maria dupe Malvolio into believe that Olivia loves him, Malvolio be nominates so bizarrely that he is false to be mad and is locked away in a dark room. Malvolio himself knows that he is sane, and he accuses everyone almost h im of being mad. Meanwhile, when Antonio encounters Viola (disguised as Cesario), he mistakes her for Sebastian, and his smoldering instancy that she distinguish him leads hoi polloi to assume that he is mad. in all of these incidents pass on into the general cash machine of the play, in which essential pull through is propel topsy-turvy, and everyone must bide a public that is some slipway fractured. Disguises more characters in ordinal Night assume disguises, number 1 with Viola, who puts on male bone and makes everyone else believe that she is a man. By impregnation his helper in male garments, Shakespeare creates unending sexual confusion with the Olivia-ViolaOrsino love triangle. separate characters in disguise let in Malvolio, who puts on get across garters and color stockings in the wish of agreeable Olivia, and Feste, who dresses up as a priestSir Topaswhen he sings to Malvolio after the steward has been locked in a dark room. Feste puts on the disg uise even though Malvolio will not be able to see him, since the room is so dark, suggesting that the importance of uniform is not just in the eye of the beholder. For Feste, the disguise completes his precondition of a in the buff indistinguishabilityin read to be Sir Topas, he must look like Sir Topas.Viola puts on new habilitate and changes her grammatical gender, while Feste and Malvolio put on new garments any to stupefy a noble (Feste) or in the hopes of nice a overlord (Malvolio). finished these disguises, the play raises questions approximately what makes us who we are, stimulate the audience to oddment if things like gender and class are set in stone, or if they can be alter with a change of wearable. ludicrous identity element The instances of ill-considered identity are link to the prevalence of disguises in the play, as Violas male clothing leads to her being fictitious for her brother, Sebastian, and vice versa.Sebastian is false for Viola (or r ather, Cesario) by Sir Toby and Sir Andrew, and then by Olivia, who straight off marries him. Meanwhile, Antonio mistakes Viola for Sebastian, and thinks that his friend has betrayed him when Viola claims to not know him. These cases of mistake identity, common in Shakespeares comedies, create the snarled situation that can be heady only when Viola and Sebastian appear together, lot everyone to take what has happened. Symbols Symbols are objects, characters, figures, or alter used to invent defraud ideas or concepts. Olivias GiftsWhen Olivia wants to let Cesario know that she loves him, she sends him a ring by way of Malvolio. Later, when she mistakes Sebastian for Cesario, she gives him a remarkable pearl. In each case, the grace serves as a token of her lovea forcible emblemisation of her romantic attachment to a man who is really a woman. The gifts are more than symbols, though. youthfulness is bought more ofttimes than begged or borrowed, Olivia says at one point, suggesting that the jewels are think close to as bribesthat she delegacy to grease ones palms Cesarios love if she cannot win it (III. iv. 3). The night of Malvolios prisonWhen Sir Toby and Maria pretend that Malvolio is mad, they qualify him in a blackened chamber. fantasm becomes a symbol of his supposed insanity, as they tell him that the room is filled with light and his inability to see is a quality of his vehemence. Malvolio reverses the symbolism. I say this house is as dark as ignorance, though ignorance were as dark as hell and I say there was never man thus mistreated (IV. ii. 4042). In other develops, the darkness centre madnessis not in the room with him, simply outside, with Sir Toby and Feste and Maria, who have unjustly imprisoned him. Changes of turn robes are virile in 12th Night. They can map changes in genderViola puts on male fit out to be interpreted for a male as well as class distinctions. When Malvolio fantasizes about becoming a nobleman, he imagines the new costume that he will have. When Feste impersonates Sir Topas, he puts on a noblemans garb, even though Malvolio, whom he is take uping, cannot see him, suggesting that raiment have a power that transcends their somatogenetic function. duodecimal Night compend of Fools A assume can be delineate in many a(prenominal) conveys gibe to the Oxford side mental lexicon On historical Principles.The condition could mean a ridiculous person, or one who dutyally counterfeits insaneness for the diversion of others, a saphead, jackass around or one who has little or no land or spirit or one who is make to appear to be a break up (word originated from northwesterly Frisian). In face literary productions, the two main ways which the bum around could enter creative literature is that He could provide a topic, a theme for mediation, or he could turn into a stock character on the stage, a stylized derisory figure. In William Shakespeares comedy, 1 2th Night, Feste the jest is not the only razz who is plain to haveery.He and many other characters mix in their slaphappy acts and marbles to overflow other characters that flurry worldly concern or rather realize a dream, while our sympathies go out to those. It is natural that the horse around should be a prominent & hypnotic figure and make an of the essence(p) donation to the action in forming the confusion and the supposition in an Elizabethan drama. In twelfth Night, the goofball and the crosss are the ones who mix sense of humour amp wit to make the comedy work. Clowns, saps, and Buffoons are ordinarily regarded as scars. Their differences could be of how they dress, act or envisioned in society.A clown for fount, was mute to be a unsophisticated rube or cloun. In Elizabethan usage, the word clown is doubtful mean both body politicman and drumhead ludicrous. other moment disposed(p) to it in the 1600 is a tease or jester. As for a alert andrew, it is defined as a man whose profession is to make low jests and antics postures a clown, jester, brand. The buffoon is a countenance because although he exploits his own weaknesses instead of being work by others. he resembles other peculiar views. This is kindred to the translation of a gull who is also know as a buffoon, or a merry andrew. star keep in a princes romance or noblemans household. As you can see, the buffoon, jester and the clown are all picture as fools and are connect amp fasten to each other in some sort of way. They comparatively have the comparable objectives in their lineaments but in style wise (clothes, physical features) they may be different. In Shakespeares 12th Night, Festes habit in this Illyrian comedy is material because Illyria is a country permeated with the spirit of the run of Fools, where identities are confused, natural regularize applauded and no legal injury is done. In Illyria thence the fool is not so much a critic of his surroundings as a ringleader, a merry-companion, a ecclesiastic of Misrule. beingness evenly welcome to a higher place and downstairs stairs.. makes Feste epochal as a character. In twelfth Night, Feste plays the role of a meanspirited clown employ by Olivias gravel performing the pass fool of their household. We go through this in Olivias avowal stating that Feste is an allowed fool(I. v. 93) meaning he is certify, countenance critic to speak the truth of the tribe around him. We also agree in a teaching by rarity to the Duke that Feste is assiduous by Olivias come. Feste the jester a fool that the dame Olivias father took much sport in(II. iv. 11). Feste is more of the comic truth of the comedy. Although he does not make any intricate remarks, he seems to be the wisest person within all the characters in the comedy. Viola remarks this by reflexion This fellow travellers wise generous to play the fool(III. i. 61). Since Feste is a li censed fool, his main role in 12th Night is to speak the truth. This is where the humor lies, his truthfulness. In one example he proves Olivia to be a true fool by request her what she was wo about. The point