Thursday, February 7, 2019
Ntozake Shange :: Male White Dominance Essays Prejudice
Ntozake ShangeAfter spending a semester looking at Gardners limited selection of people, I became frustrated at his blatant meaning that White male creativity is the only one to exist. With his obtrusive nub in mind, I felt the need to challenge Gardner and his mock up to change state less Euro-centrally male driven. In order to confront him, I bring forth chosen a person who is neither, White nor male. Instead, she is a Black American woman who I can consider to be, in many aspects, a notional genius. Although I find it incredibly hypocritical to try to convulsion Ntozake Shange into Gardners creativity model, for all intensive purposes for the class I willing premier(prenominal) point out how she does meet his model. Next, in accordance with Black feminists, I will examine why she does not fit into Gardners creativity model and frankly, why it does not matter that she is not shaped into the model. Further, I will confront the issue that marginal people are rejected society s waist (i.e. the white male cannon), and how Gardner, in the position of a writer he could have broken down some of these barriers. Ntozake Shange does fit into five of the septenary intelligences in Howard Gardners model. As a performance artist, poet, musician, writer, and politician, Shanges intelligences span the interpersonal, spatial, kinesthetic, musical, and verbal talents. She blends music, drama, and poem to characterize the Black experience in America, particularly the Black female person experience. Her works empower women to take responsibility for their lives by learning to warmth themselves and challenge their oppressors. Shanges life and works give clarification and direction to the latest feminist movement (Black Women in America).Furthermore, her supportive back-ground fits her into Gardnerstheory that, the roles of family and teachers during the formative years, as puff up as the roles of crucial supportive individuals during the times in which a creative br eakthrough seems imminent through the lives of creative people (8). capital of Minnesotaette Williams was born to Eloise and Paul Williams on October 18th, 1948. Later in life, Paulette Williams changed her slave name to an African name, Ntozake Shange. Ntozake government agency she who comes with her own things and Shange means who walks like a lion (Current Biography 1978). However, in her earlier life, Shange lived a seemingly comfortable life. Her mother was a head-shrinker/social worker and her father was a surgeon. Despite their Blackness in a times of segregation, Shange was given violin and dancing lessons while receptive to other artistic activities as well.
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