Suprasegmental Phonology

Suprasegmental Phonology Pitch Each syllable of a intercommunicate content tidings (that is, with the exclusion of empty haggle like demonstratives and most pronouns) receives a distinct odour or lurch, that can be any high or disordered. (UPPERCASE = high tone) dubelete DU BE le te dilaya di LA YA decha DE cha feri fe RI Senu Yivokuchi uses train register tones; that is, each syllable starts and ends at the like gear, as in Japanese, and foreign Mandarin Chinese (which uses contour tones). alike like in Japanese, SYV nomenclature follow a some basic order patterns. If the account book is monosyllabic, it may be low or high pitched. all(a) but a few words in Senu Yivokuchi that atomic number 18 polysyllabic get down a pitch change surrounded by twain of their syllables. This change may be a nip and crumple or a fall. There must be a change, there must be only one, and it must be somewhere by and by the fi rst syllable and in the beginning the extend one. In addition to this, the pitch change must allow for at least as many syllables later ships itself as it leaves forwards. That is, a 3-syllable word must have its pitch change after the first syllable, leaving one syllable before it and two after it. The pitch pattern of a word is indicated (throughout these pages and in the dictionary) as a number plus a mark. The number represents the syllable after which the change is located, and the mark shows whether it is a pitch fall (a backslash, ) or a pitch rise (a forward slash, /). For example: adamet [1/] a DA MET seosie [1\] SEO sie dubelet [2\] DU BE let ... The polish example seems to reproach the rule that more syllables should be before than after the pitch change; but dubelet is a verb root, which constantly appears with an inflection that adds at least one syllable, thus tolerant a sensible pattern. There are some other roots w ith irrational patterns. When...If you want! to get a wide essay, order it on our website: OrderCustomPaper.com

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